In Of Grammatology and elsewhere, Derrida argues that
signification, broadly conceived, always refers to other signs, and that
one can never reach a sign that refers only to itself. He suggests that
“writing is not a sign of a sign, except if one says it of all signs,
which would be more profoundly true” (OG 43), and this process of
infinite referral, of never arriving at meaning itself, is the notion of
‘writing’ that he wants to emphasise. This is not writing narrowly
conceived, as in a literal inscription upon a page, but what he terms
‘arche-writing’.
Arche-writing refers to a more generalised notion of writing that insists that the breach that the written introduces between what is intended to be conveyed and what is actually conveyed, is typical of an originary breach that afflicts everything one might wish to keep sacrosanct, including the notion of self-presence.
This originary breach that arche-writing refers to can be separated out to reveal two claims regarding spatial differing and temporal deferring. To explicate the first of these claims, Derrida’s emphasis upon how writing differs from itself is simply to suggest that writing, and by extension all repetition, is split (differed) by the absence that makes it necessary. One example of this might be that we write something down because we may soon forget it, or to communicate something to someone who is not with us. According to Derrida, all writing, in order to be what it is, must be able to function in the absence of every empirically determined addressee (M 375). Derrida also considers deferral to be typical of the written and this is to reinforce that the meaning of a certain text is never present, never entirely captured by a critic’s attempt to pin it down. The meaning of a text is constantly subject to the whims of the future, but when that so-called future is itself ‘present’ (if we try and circumscribe the future by reference to a specific date or event) its meaning is equally not realised, but subject to yet another future that can also never be present. The key to a text is never even present to the author themselves, for the written always defers its meaning. As a consequence we cannot simply ask Derrida to explain exactly what he meant by propounding that enigmatic sentiment that has been translated as “there is nothing outside of the text” (OG 158). Any explanatory words that Derrida may offer would themselves require further explanation. [That said, it needs to be emphasised that Derrida's point is not so much that everything is simply semiotic or linguistic - as this is something that he explicitly denies - but that the processes of differing and deferring found within linguistic representation are symptomatic of a more general situation that afflicts everything, including the body and the perceptual]. So, Derrida’s more generalised notion of writing, arche-writing, refers to the way in which the written is possible only on account of this ‘originary’ deferral of meaning that ensures that meaning can never be definitively present. In conjunction with the differing aspect that we have already seen him associate with, and then extend beyond the traditional confines of writing, he will come to describe these two overlapping processes via that most famous of neologisms: différance.
Arche-writing refers to a more generalised notion of writing that insists that the breach that the written introduces between what is intended to be conveyed and what is actually conveyed, is typical of an originary breach that afflicts everything one might wish to keep sacrosanct, including the notion of self-presence.
This originary breach that arche-writing refers to can be separated out to reveal two claims regarding spatial differing and temporal deferring. To explicate the first of these claims, Derrida’s emphasis upon how writing differs from itself is simply to suggest that writing, and by extension all repetition, is split (differed) by the absence that makes it necessary. One example of this might be that we write something down because we may soon forget it, or to communicate something to someone who is not with us. According to Derrida, all writing, in order to be what it is, must be able to function in the absence of every empirically determined addressee (M 375). Derrida also considers deferral to be typical of the written and this is to reinforce that the meaning of a certain text is never present, never entirely captured by a critic’s attempt to pin it down. The meaning of a text is constantly subject to the whims of the future, but when that so-called future is itself ‘present’ (if we try and circumscribe the future by reference to a specific date or event) its meaning is equally not realised, but subject to yet another future that can also never be present. The key to a text is never even present to the author themselves, for the written always defers its meaning. As a consequence we cannot simply ask Derrida to explain exactly what he meant by propounding that enigmatic sentiment that has been translated as “there is nothing outside of the text” (OG 158). Any explanatory words that Derrida may offer would themselves require further explanation. [That said, it needs to be emphasised that Derrida's point is not so much that everything is simply semiotic or linguistic - as this is something that he explicitly denies - but that the processes of differing and deferring found within linguistic representation are symptomatic of a more general situation that afflicts everything, including the body and the perceptual]. So, Derrida’s more generalised notion of writing, arche-writing, refers to the way in which the written is possible only on account of this ‘originary’ deferral of meaning that ensures that meaning can never be definitively present. In conjunction with the differing aspect that we have already seen him associate with, and then extend beyond the traditional confines of writing, he will come to describe these two overlapping processes via that most famous of neologisms: différance.
